Glossary

What is Creative Process?

Mental Science★ Primary SourceConcept

Last updated: October 24, 2026

In Troward's teaching, the single sequence by which Spirit brings all things into being: Self-contemplation, then polarity, then form. It built the cosmos stage by stage and continues through each person who recognizes their life as one with the Spirit.

The Creative Process is Thomas Troward's term for the way Spirit brings everything into being: Spirit contemplates itself, and what it contemplates itself as being, that it becomes. The same process that formed the cosmos continues in everyone who recognizes the Spirit as the source of their life, and it reaches their circumstances by the ordinary channels of cause and effect.

Understanding Creative Process in Mental Science

The one way Spirit creates, in the cosmos and in us: its Self-contemplation sets up a polarity that works out in form. In The Creative Process in the Individual, Troward traces it from Spirit's first movement upon itself, which projects the Universal Substance, through the forming of the worlds and the mineral, vegetable, animal and human kingdoms, each stage the platform for the next. The order matters: Self-contemplation comes first, and polarity follows, not creative but only distributive, localizing the energy that proceeds from the one Power. At the human level the process passes to the individual. When we recognize our life as one with the Spirit's, our contemplation of the Spirit becomes its contemplation of itself from our own center, and it works outward through secondary causes into the conditions of our life. We do not create the power; we distribute and specialize it.

Troward builds The Creative Process in the Individual on this one idea. He starts from facts of physical science, the ether present throughout space and the condensation of the primary nebula into a solar system, and reasons back to their only possible cause, the movement of Spirit within itself. The process has one way of working, the Law of Reciprocity, which he calls "the fundamental law of the Creative Process": Spirit's Self-contemplation produces a Reciprocal corresponding to the idea contemplated, the re-action being "always equivalent and correspondent to the action which generated it." From that root the process runs as a progressive series with no final term, because at every stage the creating power is the Spirit's self-consciousness reaching forward for a fuller enjoyment of life. Four kingdoms are already manifest. The fifth, the Kingdom of Individuality, cannot be produced by the generic working of cosmic law, since it depends on the powers of initiative and selection that make a person a person, so each of us enters it by recognizing the same process at work in ourselves.

Two safeguards run through the teaching. The power is one, so it cannot be set against itself from different centers, and whoever uses it in its true nature works in harmony with everyone else who does. Its pattern is the Normal Standard of Personality, the Life, Love, Light, Power, Peace, Beauty and Joy that the Spirit is. Within these the field is open, for "Principle is not bound by Precedent." Troward follows the process to its end: the body itself included in the conscious life of the Spirit, and the individual receiving, through Christ, power to become a son of God, "which is the dénouement of the Creative Process in the Individual."

What the Teachers Say

Thomas Troward
The Creative Process in the Individual

Troward presents the Creative Process as one unbroken sequence of cause and effect. Spirit contemplates itself, the contemplation projects its corresponding form, and each stage becomes the starting point of a higher one, from the primary nebula to intellectual man. There the process can advance only through the individual who recognizes that his own power of initiative and selection comes from the same Spirit. He becomes a center from which the Spirit contemplates itself anew, a distributor and specializer of its power rather than its source, and the conditions of his life follow by the same law that formed the cosmos.

Thomas Troward
The Doré Lectures

In the Doré Lectures Troward states the order plainly: thought and feeling are the causes, and forms and conditions the effects. The individual's part is to provide a center round which the Divine energies can play. Desires directed to reproducing particular phases of the Spirit's activity externalize as corresponding things and circumstances, and these must then be worked on from the objective standpoint: the creative process brings the materials, and we make use of them with diligence and common sense.

Creative Process vs. Inverted Use of the Creative Power

There is only one creative power, so the same process runs whether it is used rightly or invertedly. The difference lies in what we present to the Spirit and how we expect it to work.

AspectCreative ProcessInverted Use of the Creative Power
Starting pointThe Divine Ideal and the Life of the SpiritExisting conditions and past experience, taken as the measure of what is possible
Law of one's beingA Law of Life inherent in the Spirit, and so in oneselfA Law of Death, the material overcoming the spirit
Relation to the powerIts distributor and specializer, in line with the Spirit's forward movementIts supposed source, or a power thought to be limited by its material
How conditions comeThe Power shapes them, and they arrive through recognizable channelsNegative conditions contemplated as part of one's own nature, and so reproduced
What returnsThe current comes back multiplied as fuller lifeEvery inversion is reproduced in the re-action and adulterates the stream of life

Etymology

The term "creative" derives from the Latin "creare," meaning "to make, bring forth, produce, beget." "Process" originates from the Latin "procedere," meaning "to move forward, advance." Thus, "Creative Process" literally translates to "the act of moving forward in bringing something forth." In Troward the word "process" is exact: creation proceeds stage by stage, each stage a preparation for the one that follows, and the progression has no final term.

How to Practice This

Troward's practice begins where the cosmic process began, with Spirit, now found within ourselves. Instead of contemplating existing conditions, we contemplate the Divine Ideal, and the Spirit as the very power we want to develop, dwelling on that power in itself rather than on the circumstances that seem to oppose it. Then we contemplate ourselves surrounded by the conditions we desire, without laying down a fixed pattern of details or straining to make the Power conform to it, and we trust it to give those conditions their form.

We test our desires by the Spirit's own nature, Truth, Life and Beauty, and present ourselves to it free of inversion. We leave the channel open, since means come through recognizable channels, and when the materials and opportunities arrive we work on them with diligence and common sense. Growth may be slow at first, so we hold the thought patiently, knowing that the corresponding growth is taking place.

Connection to Manifestation

Troward gives manifestation its order. Spirit's Self-contemplation, carried on from our own center, sets up polarities that start secondary causation, and the result comes through ordinary channels as means, opportunities and circumstances. In the Doré Lectures he puts the practical side plainly: "The creative process brings the materials and conditions for the work to our hands; then we must make use of them with diligence and common-sense." So the emphasis falls on what we hold as the law of our being, and on keeping it free of inversion, more than on picturing particular things. Our desires, he says, should be directed less to the acquisition of particular things than to the reproduction in ourselves of particular phases of the Spirit's activity, which is bound to externalize as corresponding things and circumstances.

Common Misconceptions

It is not a three-step technique of picturing, willing and acting. Troward's Creative Process is the Self-contemplation of Spirit, and he warns against laying down a hard and fast pattern and trying to compel the Power to fit it. Nor does it bypass ordinary means: the individual sets up polarities that start secondary causation, and results come through recognizable channels. "Do you expect God to put cash into your desk by a conjuring trick?" he asks. And the individual is not the source of the power: we cannot generate what generates us. Supposing ourselves the ultimate source of Personality, instead of its distributors and specializers, is the error Troward finds in much present-day teaching on thought-power.

Frequently Asked Questions

What is the Creative Process in Troward's teaching?

It is the one way Spirit creates. Spirit contemplates itself, and what it contemplates itself as being, that it becomes. This Self-contemplation produces a polarity, and the polarity produces manifestation in form. The same process formed the cosmos and now continues through the individual.

How does the Creative Process work in an individual life?

When a person recognizes that their life is one with the Spirit, their contemplation of the Spirit becomes the Spirit's contemplation of itself from their own center. This sets up polarities that start secondary causation, and the result comes through ordinary channels as means and circumstances, which are then worked on with diligence and common sense.

What does it mean to be a 'distributor' rather than the creator of the power?

We cannot generate the power that generates us. We distribute and specialize it, providing conditions under which it works in new ways, as we never create electricity but provide the conditions under which it does useful work. Troward finds the error of much present-day teaching on thought-power in supposing ourselves the ultimate source of Personality, rather than its distributors and specializers.

Should I hold a detailed mental picture of what I want?

Troward advises against laying down a hard and fast pattern and compelling the Power to conform to every detail, which hinders its working and exhausts us. We dwell on the idea of an Infinite Power producing the happiness we desire and trust it to give the conditions their form.

Can the Creative Process work against us?

There is only one creative power, so the same law works when we use it invertedly. Contemplating limitation, disease or death as part of our own nature impresses that mode of self-recognition on the Spirit in us and produces negative results so far as we are concerned. Turning the contemplation toward the Life of the Spirit reverses the process.

Why are results sometimes slow?

Troward distinguishes the Spirit from its vehicles. The vehicle grows by the Law of Growth, at a rate set by how fully we realize the Spirit's life in us, and at present that growth is slower than we hope to see it. So we hold the thought without discouragement, knowing the growth is taking place.

In the Source Texts (12)

…as the Evolutionary state is called the "Indrawing." The extreme pole of the Creative process is considered to be the furthest removed from THE ALL, while the beginning of the Evolutionary stage is regarded as the beginning of the…
We have now got at some reason why concrete material form is a necessity of the Creative Process. Without it the perfect Self-recognition of Spirit from the Individual standpoint, which we shall presently find is the means by which the…
…are the causes of mental states; now we have learnt that the true order of the creative process is exactly the reverse, and that thought and feeling are the causes, and forms and conditions the effects. When we have learnt this lesson…

Explore Further

Used by: Thomas Troward, Troward

The Master Key Experience

The books teach the law.
The Experience trains it.

A 24-week guided journey through the laws of mind: weekly gates, lessons drawn from the texts in this library, and a living companion that remembers you.

Begin the Experience

Free · Begin without an account